Are we really ever collective?

Hit appropriate[d]: Natasha Khan | Jun 17th 2008

There’s something incredibly poetic about Natasha Khan, the half Pakistani-half-British chanteuse behind mystical Bat for Lashes. Her fluttery style and floaty lyrics are transcendent, enchanting, and kind of eerie. But in all honesty, I think I like her because of her mysterious bohemianism. She’s unlike many of the Pakistani girls I grew up knowing. Her inquisitive, introspective timidity are just so endearing. And the haunting, folksy avant guarde sound of her ensemble, Bat for Lashes, is creating a new cool for art school drop-outs (as if they needed it). The Guardian`s recent chat with Natasha captures her self-deprecating tortured artist spirit, and this video for “Whats a Girl to Do” makes you wonder what world her dreams take place in:

But perhaps what’s even cooler is that she is related to Rahmat (father) and Jahangir (uncle) Khan, that formed the ultimate Pakistani Squash Dynasty-which of course meant they were household names- when I was growing up. I still remember Jahangir’s face iconized in soda ads around the country in the ’90’s. He always kind of bore a resemblance to Fido Dido.

Jahangir Khan in fierce battle


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Third culture kids, second/third/1.5 generation, cross-pollinated immigrants and halfies or halfers. There are a dozen and one titles to refer to us -- all definitions for an elusive worldtown. We can theorize how we think about identitity and multiculturalism from the outside, we can talk about tokenistic appeasement without ever realizing it, or we can just tell you what we think. This is why we're sharing: because it wasn't being shared before.

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